Archive for the ‘Random’ Category

Funny Friday: Apostrophes

Friday, July 23rd, 2010

Apostrophes seem to cause never ending problems from writers and proofreaders and the etiquette of using them also changes over time. Did you know that there are even organisations set up (and I quote) with the ’specific aim of preserving the correct use of this currently much abused punctuation mark’. These include the Queen’s English Society, the Apostrophe Protection Society and the AAAA – the Association for the Abolition of the Aberrant Apostrophe. We’ll probably come back to this one time and time again but how are we supposed to get it right if even our teachers get it wrong? See http://www.dailymail.co.uk/news/article-418790/Half-teachers-make-simple-apostrophe-mistake.html.

Stella Poster

Printed Sandwich Menu

Printer Poster for Pies

Apostrophe disasters and how to avoid them

Wednesday, July 21st, 2010

At Solopress we always have our beady eyes on the look out for mistakes and typos before going to print and one of the most common is the apostrophe. It’s such a tiny mark on the paper, sometimes no bigger than a few millimeters but it does cause some of the biggest headaches for copywriters.  And just to add to the confusion, some major high street names (such as Tesco) are dropping the apostrophe from signs and their corporate branding, citing that the punctuation mark is old fashioned and soon to be entirely redundant. Fighting back is the AAAA (Association for the Annihilation of the Aberrant Apostrophe) whose remit is ‘the misuse of the apostrophe’. Language and grammar certainly does change over time but surely the apostrophe can’t be consigned to the rubbish bin forever as this seemingly innocent mark can entirely change the meaning of a sentence.  The English Novelist Kingsley Amis was asked to come up with a sentence which illustrates the need for the apostrophe. He wrote “Those things over there are my husband’s” and “Those things over there are my husbands” – same words but very different syntax.

There are two reasons why an apostrophe should be used. Firstly, to indicate the possessive i.e. to signify something belongs to a person, object or organisation. In this instance you should add an apostrophe and an s.

They found Peter’s ball in the park.
The door’s hinges squeaked.
The charity’s party was a success.

If the objects are owned by a group, then sometimes the group already ends in an s i.e. dogs, cats, trees etc. In these cases you just add an apostrophe on its own.

The cats’ basket needed cleaning. (Several cats sharing one basket.)
The dogs’ collars were wet. (The collars belonging to all of the dogs.)
The trees’ leaves were beautiful. (Many trees with leaves.)

Two exceptions:  if the plural doesn’t end with a s then you still need to add the apostrophe and the s e.g. the women’s bags, the football team’s kit. And if the person, object or organisation is singular but already ends in an s you can choose whether to add just an apostrophe or an apostrophe and an s – St James’s Palace or St James’ Palace – both are correct.

The other way apostrophes are commonly used is when two words are made in to one:

Was not – wasn’t.
You are – you’re.
I have – I’ve.

Another main point of error when using the apostrophe is the word ‘its’. Without getting in to too much of a complicated grammatical explanation if ‘its’ could be replaced in your sentence with ‘it is’ you do need an apostrophe.

It’s great to see you.
It’s a long walk home.
For Edward, it’s a difficult task.

Whereas no apostrophe is needed here:

The bird ate its seeds.
The fox stopped in its tracks.
The dog wagged its tail.

A final word – don’t add apostrophes unnecessarily.  Plurals don’t need them i.e. The Browns bought a car, the 1980s, the holidays, CVs etc.

When proof reading, it is often worth doing one check entirely for grammar and punctuation without thinking about the design or flow of the text. Lots of people may not notice an errant apostrophe but we have heard stories about consumers who have posted a piece of direct mail back to a company with all mistakes marked up with a red marker pen!

Funny Friday: Lost in translation

Friday, July 16th, 2010

Our multicultural society can often call for printed items to be written in more than one language. Just make sure you use a proficient translator to avoid any embarrassment unlike the producers of this road sign: http://news.bbc.co.uk/1/hi/wales/7702913.stm

Additionally, literal translations of a company or organisation’s strapline or slogan might not work so well in a different language.  Check these out: http://www.ahajokes.com/ads47.html

Funny Friday: Preparing

Friday, July 9th, 2010

Hopefully this was an intentional blunder designed to make a point! Typos or strikethrough text can be useful to make a point…

Printed Poster

Funny Friday: Menu

Friday, July 2nd, 2010

A misprint on a menu can make all the difference between ‘Yum Yum!’ and ‘Ergh..I think I might go somewhere else.’

How about these for some fairy unsavoury typos:

Starters

Hard boiled eggs, filled with delicate curried mouse
Uncared ham
Shrotted pimps

Mains

Quick lorraine
Boiled rabbi
Lamp chop

Desserts

Sherry trifle with randy snaps
Sweat from the trolley
Roquefart cheese

Funny Friday: Gran

Friday, June 25th, 2010

When you have a big event coming up you want to make sure as many people as possible know about it. So why not make yourself a massive banner or poster so that everyone can see and know exactly what is going on.

Amusing Printing Typo

I hope Gran doesn’t mind?

Funny Friday: Headlines

Friday, June 18th, 2010

It is comforting to know that even journalists, with all their editorial experience, let the odd mistake remain undetected in headlines. Some are simple typos and others more of an unfortunate choice of words.

“MAN SHOT DEAD BY POLICE STATION”

“COLD WAVE LINKED TO TEMPERATURES”

“MINERS REFUSE TO WORK AFTER DEATH”

“DRUNK GETS NINE MONTHS IN VIOLIN CASE”

“CHIP SHOP OWNER BATTERED MAN”

Funny Fridays

Friday, June 11th, 2010

In conjunction with our blog post on the importance of proofreading, we are launching Funny Fridays – to highlight some unfortunate but amusing misprints or typos and to bring a smile to your face on the last day of the working week.

So what could possibly go wrong with an advert to promote a bowling competition…

“23rd August-11th September 9:00am. Daily except Saturdays. Finals held on Friday of Each Week. GREAT YARMOUTH OPEN BOWELS FESTIVAL. Great Yarmouth Bowling Greens, Marine Parade.”

Maybe we’ll give that one a miss!

Adobe CS5 Hits Our Shores

Friday, May 7th, 2010

Today sees the release of the much hyped Adobe Creative Suite 5.  The Master Collection costing up to £2,303 will contain 250 new features and upgrades to Adobe’s flagship creativity products. There will also be five Creative Suite editions in total, offering assorted combinations of products which may suit those with slightly less deep pockets: the cheapest option will be Creative Suite 5 Design Standard, which will be around the £1,000 mark. So how has the Beta version of this new suite been received and which are the really hot features that we can’t wait to play with?

Apart from the obvious spat between Adobe and Apple (the Packager for iPhone OS tool was a centrepiece of Adobe’s new CS5 suite, but it has effectively been rendered obsolete by Apple’s changes to it’s licensing agreement) the suite has received great reviews and there is a real buzz in tech/designer world in anticipation of being able to get hold of the product itself.

One of the most written-about features, described by some as ‘awesome’ is Photoshop’s new ‘content-aware fill’ tool which allows users to delete areas of photographs and automatically redraws the background to make it appear that they were never there in the first place.  Another improvement is that there is improved recognition of an image’s edges which doesn’t sound like much but it could take hours off a complicated image manipulation job. Photoshop’s object selection tools are also faster and more refined than before.

Illustrator’s main new functionality includes a perspective drawing feature which gives the ability to create paths along one, two of three point perspective for elaborate street scenes and visualisations. The upgrade also enables variable-width strokes using strategically placed width points.

Within InDesign there’s a nifty track changes feature enabling designers to tweak content as required and revert back to the original without any hassle. Exporting to PDF becomes easier and the programme also makes working across multiple page sizes more efficient with built in gatefolds and inserts. InDesign will also operate more like Illustrator in that it will give access to the objects in each document layer. The latest InDesign also aims to solve one of those perennial problems: getting fonts to a printer. Instead of worrying if a fulfilment house has the right fonts, you’ll be able to package the fonts you’re using, and deliver them along with the document.

We can’t let this opportunity pass without a plea: what we’d love to see at Solopress is a feature on screen that gives a more accurate representation of how colours will print on different paper types.  Currently it doesn’t seem to matter if you have a super calibrated monitor the colour can still vary greatly between printing the same job on say silk and then pulp. We are obviously experienced in compensating for these differences but if you’re listening Adobe…

It’s hard to believe that it’s been 20 years since Adobe 1.0 was first released and today it’s used by amateurs and professional alike all around the world. If the reviews of this latest product suite are correct it’s going to be a huge success and we feel no longer will the workman be able to blame his tools! And if you aren’t really in the market for such a technical product then please indulge us – as in other industries, many of these features will filter down to more high-street products such as the Photoshop Elements which is bundled free with lot of scanners and cameras.  You may have to wait but it will be worth it.

Q: What is the difference between Digital Printing & Lithographic Printing?

Tuesday, April 14th, 2009

As Lithographic & Digital printers we are well aware of the confusion that can occur when talking about printing your marketing brochures, business cards, flyers & leaflets. There are so many choices in paper weights, paper finish and paper colours – there are also different printing processes!
How do you know which one is best for you and your business? While there are advantages and disadvantages to both, we have tried to explain the difference between the two most common processes below.

Digital Printing vs. Lithographic Printing

Digital printing is the reproduction of digital images on physical surface, such as paper or photographic paper, cloth, plastic, etc.
Litho printing is a technique where the inked image is transferred from a metal plate to a rubber blanket, Typically, printing plates are attached to a cylinder in the press. Ink is applied to the plate’s image area and transferred directly to the paper.

Digital can be differentiated from litho or offset printing in many ways, such as:

Every impression made onto the paper can be different, as opposed to making several hundred or thousand impressions of the same thing from one set of plates, as in traditional methods.
The ink or toner does not absorb into the paper, as does conventional Ink, but forms a layer on the surface. It generally requires less waste in terms of chemicals used and paper wasted in set up.
Digital is a excellent solution for quick turnaround, or small print runs!!
Offset printing is most commonly used for high volume printing as its image quality is much higher and more consistent than that of the digital press.

Still not making sense? Call us…01702 460047 we would be happy to discuss in more detail!