{"id":76039,"date":"2026-02-26T11:42:45","date_gmt":"2026-02-26T11:42:45","guid":{"rendered":"https:\/\/www.solopress.com\/blog\/?p=76039"},"modified":"2026-02-27T09:13:16","modified_gmt":"2026-02-27T09:13:16","slug":"lauto-edition-avec-solodesign-une-vie-lunaire-par-cali-curandera","status":"publish","type":"post","link":"https:\/\/www.solopress.com\/blog\/fr\/customer-stories\/self-publishing-with-solodesign-a-lunar-life-by-cali-curandera\/","title":{"rendered":"L'auto-\u00e9dition avec Solodesign : \u2018Une vie lunaire\u2019 par Cali Curandera"},"content":{"rendered":"
<\/div>

La Journ\u00e9e mondiale du livre est souvent consid\u00e9r\u00e9e comme une c\u00e9l\u00e9bration des auteurs et des classiques de la litt\u00e9rature. Pour nous, c'est aussi un rappel de l'artisanat qui transforme un manuscrit en un livre fini.<\/span><\/p>\n

Chez Solopress, nous travaillons avec de nombreux auto-\u00e9diteurs qui choisissent de prendre le contr\u00f4le de leur travail, de la conception \u00e0 l'impression. Cela inclut les auteurs qui ont besoin non seulement d'une production, mais aussi d'une composition et d'une conception de couverture professionnelles.<\/span><\/p>\n

R\u00e9cemment, nous avons travaill\u00e9 avec Cali Curandera sur son livre <\/span>Une vie lunaire<\/span><\/i>. Apr\u00e8s avoir travaill\u00e9 avec un \u00e9diteur, Cali a d\u00e9cid\u00e9 de s'auto-publier. Elle nous a confi\u00e9 l'impression et la conception. Ellise Collins, graphiste en chef, a dirig\u00e9 le projet et partage son exp\u00e9rience ci-dessous.<\/span><\/p>\n

D\u00e9finition du cahier des charges<\/strong><\/h2>\n
\"Cali<\/a>
Cali Curandera, auteur de \u2018A Lunar Life\u2019 (Une vie lunaire)\u2019<\/figcaption><\/figure>\n

\u201cLorsque Cali a contact\u00e9 Solodesign pour la premi\u00e8re fois au sujet de la composition de son livre, j'ai ressenti deux choses \u00e0 la fois : de l'excitation et de la responsabilit\u00e9. Se voir confier le manuscrit de quelqu'un, ses mots, ses mois, parfois ses ann\u00e9es de travail, n'est jamais une mince affaire. C'est un privil\u00e8ge.<\/span><\/p>\n

Cali a fourni le manuscrit complet ainsi que ses titres de chapitres illustr\u00e9s, et apr\u00e8s une premi\u00e8re conversation avec Richard, notre responsable de la cr\u00e9ation, la vision \u00e9tait claire. \u00c0 partir de l\u00e0, c'est moi qui ai fa\u00e7onn\u00e9 le projet\u201d.\u201d<\/span><\/p>\n

Avant toute d\u00e9cision visuelle, le manuscrit devait \u00eatre structur\u00e9 et pr\u00e9par\u00e9 pour la mise en page.<\/span><\/p>\n

Structurer le manuscrit<\/strong><\/h2>\n

\"\"<\/a><\/p>\n

\u201cAvant de commencer la conception, il faut faire un travail de fond silencieux. J'ai soigneusement nettoy\u00e9 et structur\u00e9 le manuscrit, en veillant \u00e0 la coh\u00e9rence des titres, des sous-titres, des t\u00eates de chapitre et du corps du texte. C'est un travail invisible, mais essentiel.<\/span><\/p>\n

Une fois dans InDesign, le livre a v\u00e9ritablement commenc\u00e9 \u00e0 prendre forme. Taille de coupe, marges, folios, nombre de pages, chaque mesure a \u00e9t\u00e9 prise en compte. Un livre n'est pas seulement lu, il est tenu. Il a besoin d'espace pour respirer.<\/span><\/p>\n

Le choix de la police de caract\u00e8res a \u00e9t\u00e9 l'une des d\u00e9cisions les plus importantes. La typographie d\u00e9finit la voix de la page. J'ai choisi le Garamond, \u00e9l\u00e9gant, discret et intemporel. Sa hauteur d'\u0153il plus petite la rend parfaitement adapt\u00e9e \u00e0 l'impression de livres, et elle d\u00e9gage une sophistication tranquille qui s'harmonise parfaitement avec l'esth\u00e9tique de Cali. Il ne cherche pas \u00e0 attirer l'attention. Il soutient simplement l'histoire.\u201d<\/span><\/p>\n

Une fois le manuscrit int\u00e9gr\u00e9 \u00e0 la mise en page, l'attention s'est port\u00e9e sur la coh\u00e9rence et la fluidit\u00e9.<\/span><\/p>\n

Raffinement et d\u00e9tail<\/b><\/h2>\n

\"\"<\/a><\/p>\n

\u201cUne fois le manuscrit re\u00e7u, j'ai travaill\u00e9 m\u00e9ticuleusement sur chaque page. J'ai appliqu\u00e9 des styles, affin\u00e9 la hi\u00e9rarchie, veill\u00e9 \u00e0 ce que les chapitres s'ouvrent toujours sur la page de droite. Je g\u00e9rais l'espacement. J'ai \u00e9quilibr\u00e9 les pages. Je surveillais le rythme.<\/span><\/p>\n

Puis est venue la partie que j'aime le plus, le raffinement.<\/span><\/p>\n

Ajustement de l'introduction pour que les ouvertures de chapitre soient intentionnelles. Suppression des veuves et des orphelins qui interrompent le flux du lecteur. Correction des c\u00e9sures. Emp\u00eacher les rivi\u00e8res dans le texte justifi\u00e9. S'assurer que la goutti\u00e8re est suffisamment g\u00e9n\u00e9reuse pour qu'aucun mot ne disparaisse dans la reliure. Ce sont des d\u00e9tails que la plupart des lecteurs ne remarqueront jamais consciemment, et c'est exactement l'objectif.<\/span><\/p>\n

Une bonne typographie est invisible. Lorsqu'elle fonctionne, on ne la voit pas. Vous lisez, tout simplement\u201d.\u201d<\/span><\/p>\n

C'est \u00e0 ce stade que les d\u00e9cisions techniques affectent directement l'exp\u00e9rience du lecteur. Les marges, l'espacement et la fluidit\u00e9 du texte sont autant d'\u00e9l\u00e9ments qui influencent la lisibilit\u00e9, en particulier pour les ouvrages plus longs.<\/span><\/p>\n

Conception et production de la couverture<\/b><\/h2>\n

\"\"<\/a><\/p>\n

\u201cAvant de concevoir l'ensemble du livre, j'ai partag\u00e9 le premier chapitre avec Cali. Ce moment est toujours important. C'est la premi\u00e8re fois que le manuscrit ressemble vraiment \u00e0 un livre. Une fois l'approbation obtenue, j'ai continu\u00e9 \u00e0 travailler sur les autres chapitres, en partageant les \u00e9preuves aux \u00e9tapes cl\u00e9s afin que nous puissions les peaufiner ensemble.<\/span><\/p>\n

Une fois l'int\u00e9rieur termin\u00e9, j'ai con\u00e7u la couverture compl\u00e8te. Une fois le nombre de pages confirm\u00e9, j'ai calcul\u00e9 avec pr\u00e9cision la largeur du dos et j'ai con\u00e7u la maquette comme une seule pi\u00e8ce enveloppante, avec la couverture, le dos, le texte, le code-barres et les d\u00e9tails de l'\u00e9dition. Nous avons fait des allers-retours, ajust\u00e9 et peaufin\u00e9 jusqu'\u00e0 ce que le r\u00e9sultat soit satisfaisant.<\/span><\/p>\n

Avant la production finale, j'ai imprim\u00e9 des sections \u00e0 l'\u00e9chelle en interne, en tenant les pages, en v\u00e9rifiant les proportions, en sentant les marges. Un dernier examen silencieux avant de le laisser partir\u201d.\u201d<\/span><\/p>\n

Un m\u00e9tier r\u00e9fl\u00e9chi<\/b><\/h2>\n

\u201cLa composition d'un livre est un projet de r\u00eave pour moi. C'est un m\u00e9tier lent, c'est de la patience, c'est du soin. C'est \u00eatre obs\u00e9d\u00e9 par les millim\u00e8tres qui changent la fa\u00e7on dont une page respire.<\/span><\/p>\n

Cali nous a fait confiance pour faire dispara\u00eetre le design, pour cr\u00e9er quelque chose de si fluide que ses lecteurs pouvaient se plonger enti\u00e8rement dans les mots de la page, sans distraction. Et c'est l\u00e0, \u00e0 mon sens, le v\u00e9ritable art de la conception d'un livre\u201d.\u201d<\/span><\/p>\n

Pour les auto-\u00e9diteurs, une composition et une conception de couverture professionnelles peuvent faire une diff\u00e9rence mesurable dans la lecture et l'impression d'un livre. De la pr\u00e9paration du manuscrit \u00e0 l'impression de la maquette, une conception soign\u00e9e garantit que le produit final refl\u00e8te le temps et les efforts consacr\u00e9s \u00e0 sa r\u00e9daction.<\/span><\/p>\n

L'alunissage<\/strong><\/h2>\n

\"\"<\/a><\/p>\n

Vous pouvez commander votre exemplaire de Une vie lunaire<\/em> directement en envoyant un courriel \u00e0 celticelebrant@gmail.com<\/a>. Et lorsque vous recevrez votre exemplaire et que vous serez pr\u00eat \u00e0 vous plonger dans l'ancienne sagesse lunaire que Cali a amoureusement recueillie, ayez aussi une pens\u00e9e pour le texte soigneusement mis en page !<\/p>\n

Si vous pr\u00e9parez votre propre livre pour l'impression, nos L'\u00e9quipe de Solodesign<\/a> peut apporter son aide pour la mise en page, les illustrations de couverture et les fichiers pr\u00eats \u00e0 la production. Livre de poche Impression du livre<\/a> options.<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

World Book Day is often seen as a celebration of authors and literary classics. For us, it is also a reminder of the craft that turns a manuscript into a finished book. At Solopress, we work with many self-publishers who choose to take control of their work from concept through to print. That includes authors […]<\/p>\n","protected":false},"author":156,"featured_media":76045,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[545,557],"tags":[],"class_list":{"0":"post-76039","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art-design","8":"category-customer-stories"},"acf":[],"yoast_head":"\nSelf-publishing with Solodesign: 'A Lunar Life' by Cali Curandera<\/title>\n<meta name=\"description\" content=\"Self-publishing doesn\u2019t mean you have to do it all. 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