{"id":73453,"date":"2023-02-27T08:01:13","date_gmt":"2023-02-27T08:01:13","guid":{"rendered":"https:\/\/www.solopress.com\/blog\/?p=73453"},"modified":"2023-02-27T23:06:11","modified_gmt":"2023-02-27T23:06:11","slug":"incoace-incolo-incolo-incolo-o-poveste-de-ziar","status":"publish","type":"post","link":"https:\/\/www.solopress.com\/blog\/ro\/print-inspiration\/this-way-that-way-off-we-go-a-paperback-story\/","title":{"rendered":"Pe aici, pe acolo, plec\u0103m! O poveste de buzunar"},"content":{"rendered":"
<\/div>

Am lansat C\u0103r\u021bi de bro\u0219ur\u0103<\/a> pentru prima dat\u0103 pe solopress.com, iar publica\u021bia de debut care a trecut prin pres\u0103 a fost scris\u0103 de unul dintre noi. Richard Kemp, designer Solopress, a scris o carte pentru copii, intitulat\u0103 \"This Way, That Way, Off We Go!\".<\/span><\/p>\n

Richard a avut ideea c\u0103r\u021bii sale \u00een urm\u0103 cu 20 de ani. \u00cen acest timp, a evoluat de la o colec\u021bie de pagini desenate de m\u00e2n\u0103 la o carte de bro\u0219ur\u0103 cu drepturi depline, cu propriul cod de bare \u0219i num\u0103r ISBN!\u00a0<\/span><\/p>\n

Am vorbit cu Richard despre procesul prin care el, \u00eempreun\u0103 cu colegul s\u0103u de mult timp \u0219i ilustratorul Matt Bruty, au trecut pentru a ajunge la articolul final.<\/span><\/p>\n

O poveste cu totul nou\u0103...<\/b><\/h2>\n

Scopul lui Richard pentru aceast\u0103 carte a fost de a crea o poveste u\u0219or de urm\u0103rit pentru copiii pre\u0219colari \u0219i pentru cei din prima etap\u0103. El a dorit s\u0103 \u00eembine elemente de culori \u0219i de num\u0103rare \u00eentr-un fir narativ cu care to\u021bi copiii s\u0103 se poat\u0103 identifica.\u00a0<\/span><\/p>\n

Bucat\u0103 cu bucat\u0103, a inventat povestea unui copil \u0219i a juc\u0103riei sale de plu\u0219 \"Thingy-Bob\", care se confrunt\u0103 cu sarcina de a-\u0219i aranja juc\u0103riile. Cu to\u021bii \u0219tim \u00eens\u0103 c\u00e2t de u\u0219or este s\u0103 fii distras \u00een timp ce faci ordine \u0219i nu dureaz\u0103 mult p\u00e2n\u0103 c\u00e2nd imagina\u021bia vie a copilului preia controlul. Aproape imediat, ei pornesc \u00eentr-o c\u0103l\u0103torie magic\u0103, \u00eent\u00e2lnind maimu\u021be, vr\u0103jitori, extratere\u0219tri \u0219i multe altele!<\/span><\/p>\n

\"\"<\/a><\/p>\n

Un apel timpuriu<\/b><\/h2>\n

Scrisul pentru copii ridic\u0103 o mul\u021bime de probleme stilistice pentru autori. Multe dintre ele par evidente, dar unele sunt destul de nea\u0219teptate.<\/span><\/p>\n

O decizie fundamental\u0103 de la \u00eenceput ar putea fi aceea de a decide asupra sexului protagonistului. Orice alegere \u00een acest caz poate limita c\u00e2t de incluziv\u0103 se simte cartea pentru tinerii cititori. Richard a decis s\u0103 ocoleasc\u0103 aceast\u0103 problem\u0103 l\u0103s\u00e2nd ambiguu genul copilului pe tot parcursul c\u0103r\u021bii.<\/span><\/p>\n

Nu vedem niciodat\u0103 bine fa\u021ba copilului \u0219i nu exist\u0103 pronume specifice pentru a identifica personajul. Acest lucru las\u0103 la latitudinea imagina\u021biei t\u00e2n\u0103rului cititor s\u0103 decid\u0103 cum vede personajul sau s\u0103 se pun\u0103 el \u00eensu\u0219i \u00een locul acestuia.<\/span><\/p>\n

Excep\u021bii pentru copii<\/b><\/h2>\n

Alte \u00eentreb\u0103ri la fel de importante se refer\u0103 la modul de exprimare a anumitor idei din text. De exemplu, cartea lui Richard se axeaz\u0103 pe numere \u0219i pe num\u0103rare. Ar trebui ca numerele s\u0103 apar\u0103 sub form\u0103 de cifre sau ar trebui s\u0103 fie silabisite? \u00cen timp ce numerele scrise ca parte a unei propozi\u021bii sunt cel mai adesea silabisite, Richard a optat pentru cifre care, \u00een opinia sa, ar fi mai u\u0219or de recunoscut de c\u0103tre copii.\u00a0<\/span><\/p>\n

\"\"<\/a><\/p>\n

\u00cen mod similar, Richard a optat pentru majuscule pentru a exprima diferitele culori din carte. De\u0219i aceste cuvinte nu ar fi fost scrise cu majuscule conform regulilor gramaticale tradi\u021bionale, a considerat c\u0103 ar fi avut mai mult impact \u00een majuscule. Din nou, nu exist\u0103 r\u0103spunsuri gre\u0219ite, dar este bine s\u0103 lua\u021bi \u00een considerare aceste decizii.<\/span><\/p>\n

Care este tipul t\u0103u?<\/b><\/h2>\n

C\u00e2nd vine vorba de selectarea unui font, exist\u0103 diferite \u0219coli de g\u00e2ndire cu privire la ceea ce reprezint\u0103 un font bun pentru copii. Mul\u021bi consider\u0103 c\u0103 fonturile Sans-serif sunt mai u\u0219or de citit.<\/span><\/p>\n

Serifurile sunt micile tu\u0219e de la \u00eenceputul \u0219i sf\u00e2r\u0219itul literelor. Fonturile sans-serif renun\u021b\u0103 la aceste linii, l\u0103s\u00e2nd, probabil, forma de baz\u0103 a literei mai u\u0219or de distins. De asemenea, exper\u021bii \u00een alfabetizare recomand\u0103 utilizarea unei versiuni a literei \"a\" minuscul, f\u0103r\u0103 deschiderea din partea de sus.<\/span><\/p>\n

\"\"<\/a><\/p>\n

Cu toate acestea, merit\u0103 remarcat faptul c\u0103 Gruffalo \u0219i The Very Hungry Caterpillar \u00eencalc\u0103 ambele reguli, iar aceste titluri s-au descurcat bine! Alte titluri clasice pentru copii, precum The Tiger Who Came Tea \u0219i Elmer, au un font cu serife, dar cu contorul \u00eenchis \"a\".<\/span><\/p>\n

Richard a \u021binut mult ca cartea sa s\u0103 se \u00eenscrie \u00een aceast\u0103 tradi\u021bie, dar s\u0103 par\u0103 c\u00e2t mai primitoare \u0219i mai accesibil\u0103 posibil. A optat pentru un font numit Cormorant Infant, un font cu serife adaptat pentru tinerii cititori, cu acel \"a\" at\u00e2t de important.<\/span><\/p>\n

G\u0103sirea unui nivel, g\u0103sirea unui stil<\/b><\/h2>\n

Scrisul pentru acest grup de v\u00e2rst\u0103 - de la pre\u0219colari p\u00e2n\u0103 la elevii din prima etap\u0103 - reprezint\u0103 o provocare unic\u0103, deoarece experien\u021ba de lectur\u0103 se schimb\u0103 at\u00e2t de radical \u00een ace\u0219ti ani. Publicului mai t\u00e2n\u0103r i se va citi aproape cu siguran\u021b\u0103 cartea de c\u0103tre un adult. Copiii din mijlocul intervalului ar putea s\u0103 o citeasc\u0103 \u00eenso\u021bi\u021bi de un adult. Copiii mai mari vor putea s\u0103 o citeasc\u0103 \u00een mod independent. Richard s-a folosit de con\u0219tientizarea acestui aspect pentru a se asigura c\u0103 pe fiecare pagin\u0103 exist\u0103 c\u00e2te ceva pentru toat\u0103 lumea, at\u00e2t din punct de vedere al cuvintelor, c\u00e2t \u0219i al imaginilor.<\/span><\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Repeti\u021bia este o caracteristic\u0103 comun\u0103 a c\u0103r\u021bilor pentru aceast\u0103 categorie de v\u00e2rst\u0103 \u0219i a fost un element pe care Richard a dorit s\u0103-l includ\u0103. O fraz\u0103 care se repet\u0103 de-a lungul pove\u0219tii ajut\u0103 la completarea fiec\u0103rei \u00eent\u00e2lniri pe care o tr\u0103iesc personajele \u0219i ofer\u0103 un element de c\u00e2ntat pentru adul\u021bi \u0219i copii care citesc \u00eempreun\u0103.<\/span><\/p>\n

Ini\u021bial, sec\u021biunile repetate care \u00eenchideau fiecare pagin\u0103 dubl\u0103 erau mai lungi. Cu toate acestea, atunci c\u00e2nd Richard a cerut p\u0103rerea unor prieteni cu copii mici, ace\u0219tia au considerat c\u0103 era prea lung. \u00cen loc s\u0103 duc\u0103 povestea mai departe, sec\u021biunile repetate mai lungi deveneau u\u0219or greoaie, \u00eencetinind impulsul. Ca r\u0103spuns, Richard a scurtat fraza \u00een:<\/span><\/p>\n

\"Haide, Thingy-Bob.<\/span><\/p>\n

Pe aici, pe acolo, plec\u0103m!\"<\/span><\/p>\n

Imagini vorbitoare<\/b><\/h2>\n

Pentru a crea ilustra\u021biile, Richard a apelat la prietenul \u0219i colegul s\u0103u Matt Bruty, el \u00eensu\u0219i autor de c\u0103r\u021bi pentru copii. Rela\u021bia de lung\u0103 durat\u0103 dintre Richard \u0219i Matt, \u00een calitate de colegi designeri, a \u00eensemnat c\u0103 \u00eentre ei exista o scurt\u0103 leg\u0103tur\u0103, ceea ce a permis comunicarea s\u0103 curg\u0103 liber.<\/span><\/p>\n

Schimb\u00e2nd idei \u0219i schi\u021be prin Whatsapp, Matt a reu\u0219it s\u0103 creeze \u0219i s\u0103 lucreze la fi\u0219iere vectoriale \u00een Adobe Illustrator care puteau evolua \u00een func\u021bie de contribu\u021bia lui Richard. Imaginile vectoriale sunt ideale pentru acest tip de munc\u0103, deoarece sunt scalabile la orice dimensiune \u0219i r\u0103m\u00e2n editabile p\u00e2n\u0103 la momentul tip\u0103ririi - pute\u021bi afla mai multe despre ele \u00een pagina noastr\u0103 de <\/span>Ghidul de sprijin vectorial<\/span><\/a>.<\/span><\/p>\n

Stabilirea unui stil vizual<\/b><\/h2>\n

Stilul pe care l-au ales folose\u0219te o perspectiv\u0103 plan\u0103 pentru a crea un cadru pentru obiectele \u0219i personajele pe care le \u00eent\u00e2lnim. Impuse pe fundaluri texturale stilizate, figurile pe care le \u00eent\u00e2lnim sunt pline de personalitate \u0219i umor. Pe m\u0103sur\u0103 ce cartea avanseaz\u0103, num\u0103rul personajelor pe care le \u00eent\u00e2lnim cre\u0219te. Acest lucru ofer\u0103 tot mai multe oportunit\u0103\u021bi pentru copii de a explora fiecare individ \u00een parte sau de a discuta despre ei cu cei mari. Aceast\u0103 profunzime a con\u021binutului \u00eenseamn\u0103 c\u0103 aceast\u0103 carte r\u0103m\u00e2ne captivant\u0103 prin lecturi repetate, ceea ce este excelent pentru dezvoltarea copiilor \u0219i pentru s\u0103n\u0103tatea mintal\u0103 a p\u0103rin\u021bilor!<\/span><\/p>\n

\"\"<\/a><\/p>\n

\u00cen timp ce \u00eentreaga carte folose\u0219te o palet\u0103 cromatic\u0103 coerent\u0103 de culori secundare \u0219i ter\u021biare vii, fiecare pagin\u0103 dubl\u0103 are o schem\u0103 cromatic\u0103 distinct\u0103. Acest lucru ajut\u0103 s\u0103 le ofere tinerilor cititori un sentiment de loc \u0219i de progres pe m\u0103sur\u0103 ce \u00ee\u0219i urm\u0103resc drumul prin poveste.<\/span><\/p>\n

Timp pentru o prob\u0103 umed\u0103<\/b><\/h2>\n

Dup\u0103 ce tot con\u021binutul a fost asamblat, Richard \u0219i Matt au fost gata s\u0103 produc\u0103 o prob\u0103 umed\u0103 ini\u021bial\u0103. O prob\u0103 umed\u0103 este o mostr\u0103 de imprimare complet realizat\u0103 care<\/span>\u00a0\u00eei ofer\u0103 creatorului \u0219ansa de a \u021bine \u00een m\u00e2n\u0103 un obiect real, de a identifica problemele \u0219i de a face ajust\u0103ri suplimentare.<\/span><\/p>\n

Desigur, au devenit evidente c\u00e2teva lucruri pe care Richard dorea s\u0103 le schimbe. Anumite cuvinte care se aflau pe tr\u0103s\u0103turi mai \u00eentunecate \u00een fundal erau greu de citit. Prin mutarea fundalului \u0219i ajustarea culorilor, Matt a reu\u0219it s\u0103 creeze un contrast mai mare, \u00eembun\u0103t\u0103\u021bind experien\u021ba de lectur\u0103.<\/span><\/p>\n

\u00cen alt\u0103 parte, textul \u0219i ilustra\u021biile care p\u00e2n\u0103 atunci ocupau un spa\u021biu suficient de mare p\u0103reau s\u0103 se scufunde \u00een interiorul c\u0103r\u021bii, spre coloana vertebral\u0103. Acesta este un fenomen comun pentru c\u0103r\u021bile ilustrate de h\u00e2rtie, datorit\u0103 structurii lor perfect legate. O repozi\u021bionare atent\u0103 a elementelor \u00een pagin\u0103 a dus la o compozi\u021bie mult mai echilibrat\u0103.<\/span><\/p>\n

Schimb de cuvinte<\/b><\/h2>\n

Pe l\u00e2ng\u0103 faptul c\u0103 i-a oferit lui Richard posibilitatea de a verifica culorile \u0219i de a identifica orice problem\u0103, i-a permis s\u0103 distribuie mostre prietenilor \u0219i s\u0103 le cear\u0103 un feedback suplimentar. Unii cititori au dorit s\u0103 vad\u0103 un limbaj mai elaborat. Acest feedback l-a pus pe Richard \u00een situa\u021bia de a g\u0103si un echilibru \u00eentre introducerea unui limbaj mai dinamic \u0219i men\u021binerea accesibilit\u0103\u021bii pentru tinerii cititori. De\u0219i Richard a p\u0103strat simplitatea primului s\u0103u proiect, a reu\u0219it s\u0103 \u00eembog\u0103\u021beasc\u0103 unele propozi\u021bii cheie. De exemplu:<\/span><\/p>\n

\"Vr\u0103jile au fost aruncate \u00een aer\"<\/span><\/p>\n

a devenit<\/span><\/p>\n

\"Vr\u0103jile au r\u0103sunat \u00een aer\"<\/span><\/p>\n

Un alt comentariu a fost legat de coperta. Cu personajele sale siluete \u0219i culorile sale discrete, un prieten a fost de p\u0103rere c\u0103 era un pic prea discret. Lu\u00e2nd \u00een considerare criticile, Richard \u0219i Matt au ajuns la un nou design pentru copert\u0103, mai luminos \u0219i mai \u00eendr\u0103zne\u021b, cu text \u0219i elemente ilustrative care umpleau pagina.<\/span><\/p>\n

\"Coperte<\/a>
Coperta original\u0103 al\u0103turi de versiunea final\u0103<\/figcaption><\/figure>\n

Despre m\u0103rimea ei<\/b><\/h2>\n

Proba umed\u0103 este, de asemenea, o \u0219ans\u0103 de a confirma alegerile pe care le-a\u021bi f\u0103cut \u00een ceea ce prive\u0219te dimensiunea, stocul de h\u00e2rtie \u0219i finisajele pentru copert\u0103 \u0219i paginile interioare. Pentru \"Pe aici, pe acolo, pornim!\" Richard a folosit un format personalizat care se \u00eencadreaz\u0103 \u00een dimensiunile A4.\u00a0<\/span><\/p>\n

Alegerea unei dimensiuni personalizate nu este lipsit\u0103 de riscuri. \u00cen primul r\u00e2nd, dac\u0103 alege\u021bi din senin un set de dimensiuni, este posibil s\u0103 v\u0103 cre\u0219te\u021bi nea\u0219teptat costurile. Cu toate acestea, aleg\u00e2nd dimensiuni care se \u00eencadreaz\u0103 \u00een A4, Richard a reu\u0219it s\u0103 evite cre\u0219terea facturii.\u00a0<\/span><\/p>\n

O alt\u0103 capcan\u0103 ar fi dac\u0103 cartea dvs. nu s-ar \u00eencadra \u00een ceea ce comercian\u021bii cu am\u0103nuntul sunt obi\u0219nui\u021bi s\u0103 manipuleze. Acest lucru este mai mult o preocupare pentru literatura pentru adul\u021bi, unde c\u0103r\u021bile de mas\u0103 se \u00eencadreaz\u0103 \u00een c\u00e2teva dimensiuni conven\u021bionale care se potrivesc confortabil \u00een cutiile de ambalaj \u0219i \u00een rafturile de v\u00e2nzare din aeroporturi deopotriv\u0103.\u00a0<\/span><\/p>\n

Dup\u0103 cum v-a\u021bi a\u0219tepta, exist\u0103 o marj\u0103 de manevr\u0103 mult mai mare \u00een ceea ce prive\u0219te c\u0103r\u021bile ilustrate pentru copii. La 210x270 mm, \"This Way, That Way, Off We Go!\" se \u00eencadreaz\u0103 \u00een parametrii a\u0219tepta\u021bi \u0219i se situeaz\u0103 \u00eentre 8 \"x10\" \u0219i 8,5 \"x11\", care sunt ambele standarde de supradimensionare \u00een SUA.<\/span><\/p>\n

\"\"<\/a><\/p>\n

Poveste de copert\u0103<\/b><\/h2>\n

Pentru copert\u0103, Richard a ales o h\u00e2rtie de 350 gsm, laminat\u0103 satinat\u0103. Coperta de 350 gsm confer\u0103 o structur\u0103 c\u0103r\u021bii, ceea ce \u00eenseamn\u0103 c\u0103 aceasta se comport\u0103 bine \u00een m\u00e2n\u0103 \u0219i st\u0103 m\u00e2ndr\u0103 pe rafturi f\u0103r\u0103 s\u0103 se \u00eendoaie sau s\u0103 se \u00eendoaie sub propria greutate.<\/span><\/p>\n

Aceast\u0103 greutate, \u00eempreun\u0103 cu laminarea satinat\u0103, adaug\u0103 durabilitate, protej\u00e2nd-o \u00eentr-o oarecare m\u0103sur\u0103 de \u00eencerc\u0103rile \u0219i piedicile prin care trec bunurile unui copil. De asemenea, satinul este pl\u0103cut la atingere \u0219i are un aspect vizual mai vioi dec\u00e2t cel mat, dar nu at\u00e2t de neiert\u0103tor precum cel lucios.<\/span><\/p>\n

Puterea interioar\u0103<\/b><\/h2>\n

\u00cen timp ce o carte destinat\u0103 pie\u021bei pentru adul\u021bi ar putea avea \u00een mod obi\u0219nuit pagini de 80, 100 sau 120 g\/m2, cartea lui Richard are 170 de m\u0103tase pentru a oferi un plus de protec\u021bie \u00eempotriva ruperii \u0219i a umezelii.<\/span><\/p>\n

O a doua \u0219i a treia rund\u0103 de probe umede au fost suficiente pentru a elimina fiecare gre\u0219eal\u0103 de tipar \u0219i de design, \u0219i a fost \"Off we go\" pentru \"This Way, That Way, Off We Go!\". Dac\u0103 dori\u021bi s\u0103 v\u0103 asigura\u021bi un exemplar din primul tiraj, pute\u021bi <\/span>Cump\u0103ra\u021bi-v\u0103 propria copie<\/span>.<\/span><\/p>","protected":false},"excerpt":{"rendered":"

We\u2019ve launched Paperback Books for the first time on solopress.com, and the debut publication that went through the press was written by one of our own. Solopress designer Richard Kemp has written a book for children, titled \u201cThis Way, That Way, Off We Go!\u201d Richard had the idea for his book 20 years ago. During […]<\/p>\n","protected":false},"author":134,"featured_media":73471,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[544,551],"tags":[],"class_list":{"0":"post-73453","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-print-inspiration","8":"category-solopress-news"},"acf":[],"yoast_head":"\nThis Way, That Way, Off We Go! A Paperback Story - Solopress UK<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.solopress.com\/blog\/ro\/inspiratie-de-imprimare\/incoace-incolo-incolo-incolo-o-poveste-de-ziar\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"This Way, That Way, Off We Go! A Paperback Story - Solopress UK\" \/>\n<meta property=\"og:description\" content=\"We\u2019ve launched Paperback Books for the first time on solopress.com, and the debut publication that went through the press was written by one of our own. Solopress designer Richard Kemp has written a book for children, titled \u201cThis Way, That Way, Off We Go!\u201d Richard had the idea for his book 20 years ago. 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