{"id":73453,"date":"2023-02-27T08:01:13","date_gmt":"2023-02-27T08:01:13","guid":{"rendered":"https:\/\/www.solopress.com\/blog\/?p=73453"},"modified":"2023-02-27T23:06:11","modified_gmt":"2023-02-27T23:06:11","slug":"bu-sekilde-bu-sekilde-gidiyoruz-bir-ciltsiz-hikaye","status":"publish","type":"post","link":"https:\/\/www.solopress.com\/blog\/tr\/print-inspiration\/this-way-that-way-off-we-go-a-paperback-story\/","title":{"rendered":"Bu Yol, Bu Yol, Gidiyoruz! Ciltsiz bir hikaye"},"content":{"rendered":"
<\/div>

Biz ba\u015flatt\u0131k Ciltsiz Kitaplar<\/a> ilk kez solopress.com'da yay\u0131nland\u0131 ve bask\u0131dan ge\u00e7en ilk yay\u0131n i\u00e7imizden biri taraf\u0131ndan yaz\u0131ld\u0131. Solopress tasar\u0131mc\u0131s\u0131 Richard Kemp, \u00e7ocuklar i\u00e7in \"This Way, That Way, Off We Go!\" adl\u0131 bir kitap yazd\u0131.<\/span><\/p>\n

Richard bu kitap fikrini 20 y\u0131l \u00f6nce ortaya att\u0131. Bu s\u00fcre zarf\u0131nda kitap, elle \u00e7izilmi\u015f sayfalardan olu\u015fan bir koleksiyondan, kendi barkodu ve ISBN numaras\u0131 olan tam te\u015fekk\u00fcll\u00fc bir karton kapakl\u0131 kitaba d\u00f6n\u00fc\u015ft\u00fc!\u00a0<\/span><\/p>\n

Richard ile uzun s\u00fcredir meslekta\u015f\u0131 ve ill\u00fcstrat\u00f6r Matt Bruty ile birlikte bu bitmi\u015f makaleye ula\u015fmak i\u00e7in ge\u00e7irdikleri s\u00fcre\u00e7 hakk\u0131nda konu\u015ftuk.<\/span><\/p>\n

Yepyeni bir hikaye.<\/b><\/h2>\n

Richard'\u0131n kitap i\u00e7in amac\u0131, okul \u00f6ncesi ve birinci kademe \u00e7ocuklar\u0131 i\u00e7in takip etmesi kolay bir hikaye yaratmakt\u0131. Renkler ve say\u0131 sayma gibi unsurlar\u0131, t\u00fcm \u00e7ocuklar\u0131n ili\u015fki kurabilece\u011fi bir anlat\u0131 dizisi i\u00e7inde \u00f6rmeye hevesliydi.\u00a0<\/span><\/p>\n

Par\u00e7a par\u00e7a, oyuncaklar\u0131n\u0131 toplama g\u00f6reviyle kar\u015f\u0131 kar\u015f\u0131ya kalan bir \u00e7ocuk ve sevimli oyuncaklar\u0131 \"Thingy-Bob\" hikayesini ortaya \u00e7\u0131kard\u0131. Ancak, temizlik yaparken dikkatin da\u011f\u0131lmas\u0131n\u0131n ne kadar kolay oldu\u011funu hepimiz biliriz ve \u00e7ocu\u011fun canl\u0131 hayal g\u00fcc\u00fcn\u00fcn devreye girmesi uzun s\u00fcrmez. Neredeyse an\u0131nda, maymunlar, sihirbazlar, uzayl\u0131lar ve daha fazlas\u0131yla kar\u015f\u0131la\u015ft\u0131klar\u0131 b\u00fcy\u00fcl\u00fc bir yolculu\u011fa \u00e7\u0131karlar!<\/span><\/p>\n

\"\"<\/a><\/p>\n

Erken bir \u00e7a\u011fr\u0131<\/b><\/h2>\n

\u00c7ocuklar i\u00e7in yazmak, yazarlar i\u00e7in pek \u00e7ok \u00fcslup sorusunu g\u00fcndeme getirir. Bunlar\u0131n bir\u00e7o\u011fu a\u00e7\u0131k gibi g\u00f6r\u00fcnse de baz\u0131lar\u0131 olduk\u00e7a beklenmediktir.<\/span><\/p>\n

Ba\u015flang\u0131\u00e7taki temel kararlardan biri kahraman\u0131n cinsiyetine karar vermek olabilir. Buradaki herhangi bir se\u00e7im, kitab\u0131n gen\u00e7 okurlar i\u00e7in ne kadar kapsay\u0131c\u0131 oldu\u011funu s\u0131n\u0131rlayabilir. Richard, \u00e7ocu\u011fun cinsiyetini kitap boyunca belirsiz b\u0131rakarak bu sorunu a\u015fmaya karar vermi\u015f.<\/span><\/p>\n

\u00c7ocu\u011fun y\u00fcz\u00fcne hi\u00e7bir zaman tam olarak bakam\u0131yoruz ve karakteri saptamak i\u00e7in belirli bir zamir yok. Bu da karakteri nas\u0131l g\u00f6rd\u00fcklerine karar vermeyi ya da kendilerini karakterin yerine koymay\u0131 gen\u00e7 okuyucunun hayal g\u00fcc\u00fcne b\u0131rak\u0131yor.<\/span><\/p>\n

\u00c7ocuklar i\u00e7in istisnalar yapmak<\/b><\/h2>\n

Ayn\u0131 derecede \u00f6nemli ba\u015fka sorular da metindeki belirli fikirlerin nas\u0131l ifade edilece\u011fine ili\u015fkin olarak ortaya \u00e7\u0131kmaktad\u0131r. \u00d6rne\u011fin, Richard'\u0131n kitab\u0131 say\u0131lar ve sayma \u00fczerine odaklan\u0131yor. Say\u0131lar rakam olarak m\u0131 g\u00f6r\u00fcnmeli yoksa hecelenerek mi yaz\u0131lmal\u0131? Bir c\u00fcmlenin par\u00e7as\u0131 olarak yaz\u0131lan say\u0131lar \u00e7o\u011funlukla hecelenirken, Richard \u00e7ocuklar taraf\u0131ndan daha kolay tan\u0131nabilece\u011fini d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc rakamlarda karar k\u0131lm\u0131\u015ft\u0131r.\u00a0<\/span><\/p>\n

\"\"<\/a><\/p>\n

Benzer \u015fekilde, Richard kitaptaki farkl\u0131 renkleri ifade etmek i\u00e7in blok b\u00fcy\u00fck harfleri tercih etti. Bu s\u00f6zc\u00fckler geleneksel dilbilgisi kurallar\u0131na g\u00f6re b\u00fcy\u00fck harfle yaz\u0131lmayacak olsa da, b\u00fcy\u00fck harfle yaz\u0131ld\u0131\u011f\u0131nda daha fazla etki yarataca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fc. Yine yanl\u0131\u015f cevaplar yok, ancak bu kararlar\u0131 dikkate almakta fayda var.<\/span><\/p>\n

Senin tipin ne?<\/b><\/h2>\n

Yaz\u0131 tipi se\u00e7imi s\u00f6z konusu oldu\u011funda, \u00e7ocuklar i\u00e7in iyi bir yaz\u0131 tipini neyin olu\u015fturdu\u011fu konusunda \u00e7e\u015fitli d\u00fc\u015f\u00fcnce okullar\u0131 vard\u0131r. Bir\u00e7ok ki\u015fi Sans-serif yaz\u0131 tiplerinin okunmas\u0131n\u0131n daha kolay oldu\u011funu d\u00fc\u015f\u00fcnmektedir.<\/span><\/p>\n

Serifler, harflerin ba\u015flar\u0131nda ve sonlar\u0131nda bulunan k\u00fc\u00e7\u00fck vuru\u015flard\u0131r. Sans-serif yaz\u0131 tiplerinde bu vuru\u015flar yoktur ve muhtemelen harfin ana \u015feklinin biraz daha net anla\u015f\u0131lmas\u0131n\u0131 sa\u011flar. Benzer \u015fekilde, okuryazarl\u0131k uzmanlar\u0131 k\u00fc\u00e7\u00fck \"a\" harfinin \u00fcst k\u0131sm\u0131nda a\u00e7\u0131kl\u0131k olmayan bir versiyonunun kullan\u0131lmas\u0131n\u0131 \u00f6nermektedir.<\/span><\/p>\n

\"\"<\/a><\/p>\n

Ancak The Gruffalo ve The Very Hungry Caterpillar'\u0131n bu kurallar\u0131n her ikisini de ihlal etti\u011fini ve bu ba\u015fl\u0131klar\u0131n iyi oldu\u011funu belirtmek gerekir! The Tiger Who Came Tea ve Elmer gibi di\u011fer \u00e7ocuk klasikleri serifli bir yaz\u0131 tipine sahiptir, ancak kapal\u0131 \"a\" sayac\u0131 ile.<\/span><\/p>\n

Richard kitab\u0131n\u0131n bu gelenek i\u00e7inde yer almas\u0131n\u0131, ancak m\u00fcmk\u00fcn oldu\u011funca s\u0131cak ve eri\u015filebilir g\u00f6r\u00fcnmesini istiyordu. Cormorant Infant ad\u0131nda, gen\u00e7 okuyucular i\u00e7in uyarlanm\u0131\u015f, serifli bir yaz\u0131 tipini tercih etti.<\/span><\/p>\n

Bir seviye bulmak, bir tarz bulmak<\/b><\/h2>\n

Bu ya\u015f grubu i\u00e7in yazmak - okul \u00f6ncesi \u00e7ocuklardan birinci kademe \u00f6\u011frencilerine kadar - benzersiz bir zorluk te\u015fkil eder, \u00e7\u00fcnk\u00fc okuma deneyimi bu y\u0131llarda k\u00f6kten de\u011fi\u015fir. K\u00fc\u00e7\u00fck ya\u015ftaki kitleye kitap neredeyse kesinlikle bir yeti\u015fkin taraf\u0131ndan okunacakt\u0131r. Orta ya\u015f grubundaki \u00e7ocuklar ise kitab\u0131 bir yeti\u015fkin e\u015fli\u011finde okuyor olabilir. Daha b\u00fcy\u00fck \u00e7ocuklar ise kitab\u0131 ba\u011f\u0131ms\u0131z olarak okuyabileceklerdir. Richard bu konudaki fark\u0131ndal\u0131\u011f\u0131n\u0131, her sayfada hem kelimeler hem de resimler a\u00e7\u0131s\u0131ndan herkes i\u00e7in bir \u015feyler olmas\u0131n\u0131 sa\u011flamak i\u00e7in kulland\u0131.<\/span><\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Tekrarlama, bu ya\u015f grubuna y\u00f6nelik kitaplar\u0131n ortak bir \u00f6zelli\u011fidir ve Richard'\u0131n dahil etmek istedi\u011fi bir unsurdu. Hikaye boyunca tekrarlanan bir c\u00fcmlenin olmas\u0131, karakterlerin ya\u015fad\u0131\u011f\u0131 her kar\u015f\u0131la\u015fmay\u0131 tamamlamaya yard\u0131mc\u0131 olur ve birlikte okuyan yeti\u015fkinler ve \u00e7ocuklar i\u00e7in bir \u015fark\u0131 s\u00f6yleme unsuru sa\u011flar.<\/span><\/p>\n

Ba\u015flang\u0131\u00e7ta, her \u00e7ift sayfay\u0131 kapatan tekrarlanan b\u00f6l\u00fcmler daha uzundu. Ancak, Richard k\u00fc\u00e7\u00fck \u00e7ocuklar\u0131 olan arkada\u015flar\u0131ndan geri bildirim istedi\u011finde, onlar bunun \u00e7ok uzun oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcler. Hikayeyi ilerletmek yerine, tekrarlanan uzun b\u00f6l\u00fcm biraz yorucu hale geldi ve ivmeyi yava\u015flatt\u0131. Bunun \u00fczerine Richard ifadeyi \u015fu \u015fekilde k\u0131saltt\u0131:<\/span><\/p>\n

\"Hadi, Thingy-Bob.<\/span><\/p>\n

Bu taraftan, bu taraftan, gidiyoruz!\"<\/span><\/p>\n

Konu\u015fan resimler<\/b><\/h2>\n

Richard, ill\u00fcstrasyonlar\u0131 olu\u015fturmak i\u00e7in kendisi de bir \u00e7ocuk yazar\u0131 olan arkada\u015f\u0131 ve meslekta\u015f\u0131 Matt Bruty'ye ba\u015fvurdu. Richard ve Matt'in tasar\u0131mc\u0131 dostlar\u0131 olarak uzun s\u00fcredir devam eden ili\u015fkileri, aralar\u0131ndaki ileti\u015fimin serbest\u00e7e akmas\u0131n\u0131 sa\u011flayan bir k\u0131sa el anlam\u0131na geliyordu.<\/span><\/p>\n

Whatsapp \u00fczerinden fikir ve eskiz al\u0131\u015fveri\u015finde bulunan Matt, Adobe Illustrator'da Richard'\u0131n katk\u0131lar\u0131yla geli\u015febilecek vekt\u00f6r dosyalar\u0131 olu\u015fturup \u00fczerinde \u00e7al\u0131\u015fabildi. Vekt\u00f6r g\u00f6r\u00fcnt\u00fcleri bu t\u00fcr i\u015fler i\u00e7in idealdir \u00e7\u00fcnk\u00fc her boyuta \u00f6l\u00e7eklenebilirler ve bask\u0131 zaman\u0131 gelene kadar d\u00fczenlenebilir kal\u0131rlar - bu konuda daha fazla bilgi i\u00e7in <\/span>Vekt\u00f6r Destek K\u0131lavuzu<\/span><\/a>.<\/span><\/p>\n

G\u00f6rsel bir stile karar verme<\/b><\/h2>\n

Se\u00e7tikleri stil, kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131z nesnelere ve karakterlere zemin haz\u0131rlamak i\u00e7in d\u00fcz bir perspektif kullan\u0131yor. Stilize edilmi\u015f dokusal arka planlar\u0131n \u00fczerine yerle\u015ftirilen fig\u00fcrlere tonlarca ki\u015filik ve mizah a\u015f\u0131lan\u0131yor. Kitap ilerledik\u00e7e tan\u0131\u015ft\u0131\u011f\u0131m\u0131z karakterlerin say\u0131s\u0131 da art\u0131yor. Bu da \u00e7ocuklar\u0131n her bir bireyi ke\u015ffetmesi ya da b\u00fcy\u00fckleriyle tart\u0131\u015fmas\u0131 i\u00e7in giderek daha fazla f\u0131rsat sunuyor. Bu i\u00e7erik derinli\u011fi, kitab\u0131n tekrar tekrar okundu\u011funda da ilgi \u00e7ekici kalaca\u011f\u0131 anlam\u0131na geliyor ki bu da \u00e7ocuklar\u0131n geli\u015fimi ve ebeveynlerin ak\u0131l sa\u011fl\u0131\u011f\u0131 i\u00e7in harika bir \u015fey!<\/span><\/p>\n

\"\"<\/a><\/p>\n

Kitab\u0131n tamam\u0131 canl\u0131 ikincil ve \u00fc\u00e7\u00fcnc\u00fcl renklerden olu\u015fan tutarl\u0131 bir renk paletine sahip olsa da, her \u00e7ift sayfa yay\u0131n\u0131n kendine \u00f6zg\u00fc bir renk \u015femas\u0131 vard\u0131r. Bu, gen\u00e7 okuyuculara hikaye boyunca yollar\u0131n\u0131 izlerken bir yer ve ilerleme hissi vermeye yard\u0131mc\u0131 olur.<\/span><\/p>\n

Islak prova zaman\u0131<\/b><\/h2>\n

T\u00fcm i\u00e7erik bir araya getirildikten sonra Richard ve Matt ilk \u0131slak provay\u0131 \u00fcretmeye haz\u0131rd\u0131. Islak prova, tamamen ger\u00e7ekle\u015ftirilmi\u015f bir bask\u0131 \u00f6rne\u011fidir.<\/span>\u00a0Yarat\u0131c\u0131ya ger\u00e7ek \u00fcr\u00fcn\u00fc elinde tutma, sorunlar\u0131 belirleme ve daha fazla ayarlama yapma \u015fans\u0131 verir.<\/span><\/p>\n

Elbette, Richard'\u0131n de\u011fi\u015ftirmek istedi\u011fi birka\u00e7 \u015fey ortaya \u00e7\u0131kt\u0131. Arka planda koyu renkte kalan baz\u0131 kelimelerin okunmas\u0131 zordu. Matt, arka plan\u0131 hareket ettirerek ve renkleri ayarlayarak daha fazla kontrast yaratmay\u0131 ba\u015fard\u0131 ve okuma deneyimini iyile\u015ftirdi.<\/span><\/p>\n

Ba\u015fka yerlerde, daha \u00f6nce olduk\u00e7a geni\u015f bir alana yay\u0131lm\u0131\u015f olan metin ve resimler kitab\u0131n s\u0131rt\u0131na do\u011fru i\u00e7eri \u00e7\u00f6km\u00fc\u015f gibi g\u00f6r\u00fcn\u00fcyordu. Bu, m\u00fckemmel ciltli yap\u0131lar\u0131 nedeniyle karton kapakl\u0131 resimli kitaplar i\u00e7in yayg\u0131n bir olgudur. Sayfadaki \u00f6\u011felerin dikkatli bir \u015fekilde yeniden konumland\u0131r\u0131lmas\u0131yla \u00e7ok daha dengeli bir kompozisyon elde edildi.<\/span><\/p>\n

Kelime al\u0131\u015fveri\u015fi<\/b><\/h2>\n

Richard'a renkleri prova etme ve herhangi bir sorunu tespit etme f\u0131rsat\u0131 vermenin yan\u0131 s\u0131ra, \u00f6rnekleri arkada\u015flar\u0131na iletmelerine ve daha fazla geri bildirim almalar\u0131na da olanak sa\u011flad\u0131. Baz\u0131 okuyucular daha ayr\u0131nt\u0131l\u0131 bir dil g\u00f6rmek istedi. Bu geri bildirim Richard'\u0131 daha dinamik bir dil kullanmakla gen\u00e7 okuyucular i\u00e7in eri\u015filebilirli\u011fi korumak aras\u0131nda bir denge kurmaya zorlad\u0131. Richard ilk tasla\u011f\u0131n sadeli\u011fini korumakla birlikte baz\u0131 kilit c\u00fcmleleri zenginle\u015ftirmeyi ba\u015fard\u0131. \u00d6rne\u011fin:<\/span><\/p>\n

\"B\u00fcy\u00fcler havaya u\u00e7tu\"<\/span><\/p>\n

oldu<\/span><\/p>\n

\"B\u00fcy\u00fcler havada k\u00fckredi\"<\/span><\/p>\n

Bir ba\u015fka yorum da \u00f6n kapakla ilgiliydi. Bir arkada\u015f, siluet halindeki karakterleri ve soluk renkleriyle kapa\u011f\u0131n biraz fazla bast\u0131r\u0131lm\u0131\u015f oldu\u011funu d\u00fc\u015f\u00fcnd\u00fc. Ele\u015ftirileri dikkate alan Richard ve Matt, kapak i\u00e7in daha parlak ve cesur, metin ve ill\u00fcstratif unsurlar\u0131n sayfay\u0131 doldurdu\u011fu yeni bir tasar\u0131ma ula\u015ft\u0131lar.<\/span><\/p>\n

\"Eski<\/a>
Orijinal \u00f6n kapak ile son versiyon yan yana<\/figcaption><\/figure>\n

B\u00fcy\u00fckl\u00fc\u011f\u00fc hakk\u0131nda<\/b><\/h2>\n

Islak prova ayn\u0131 zamanda kapa\u011f\u0131n\u0131z ve i\u00e7 sayfalar\u0131n\u0131z i\u00e7in boyut, ka\u011f\u0131t stoklar\u0131 ve y\u00fczeyler konusunda yapt\u0131\u011f\u0131n\u0131z se\u00e7imleri onaylama \u015fans\u0131d\u0131r. \"This Way, That Way, Off We Go!\" i\u00e7in Richard, A4 boyutlar\u0131 i\u00e7inde kalan \u00f6zel bir boyut kulland\u0131.\u00a0<\/span><\/p>\n

\u00d6zel bir boyut se\u00e7mek risksiz de\u011fildir. \u00d6ncelikle, havadan bir dizi boyut se\u00e7erseniz, beklenmedik bir \u015fekilde maliyetlerinizi art\u0131rabilirsiniz. Ancak Richard, A4'\u00fcn i\u00e7inde kalan boyutlar\u0131 se\u00e7erek faturaya ekleme yapmaktan ka\u00e7\u0131nmay\u0131 ba\u015fard\u0131.\u00a0<\/span><\/p>\n

Bir ba\u015fka tuzak da kitab\u0131n\u0131z\u0131n perakendecilerin al\u0131\u015fk\u0131n oldu\u011fu boyutlar\u0131n d\u0131\u015f\u0131nda kalmas\u0131d\u0131r. Bu daha \u00e7ok yeti\u015fkin edebiyat\u0131 i\u00e7in bir endi\u015fe kayna\u011f\u0131d\u0131r; kitlesel pazar kitap\u00e7\u0131klar\u0131, hem ambalaj kutular\u0131na hem de havaalan\u0131 sat\u0131\u015f raflar\u0131na rahat\u00e7a s\u0131\u011fan birka\u00e7 geleneksel boyuta d\u00fc\u015fer.\u00a0<\/span><\/p>\n

Tahmin edebilece\u011finiz gibi, s\u00f6z konusu resimli \u00e7ocuk kitaplar\u0131 oldu\u011funda \u00e7ok daha fazla hareket alan\u0131 vard\u0131r. 210x270 mm boyutundaki \"This Way, That Way, Off We Go!\" beklenen \u00f6l\u00e7\u00fclerde ve ABD'de b\u00fcy\u00fck boy standartlar\u0131 olan 8 \"x10\" ve 8,5 \"x11\" boyutlar\u0131 aras\u0131nda yer al\u0131yor.<\/span><\/p>\n

\"\"<\/a><\/p>\n

Kapak konusu<\/b><\/h2>\n

Richard kapak i\u00e7in saten lamine 350gsm ka\u011f\u0131t sto\u011fu se\u00e7ti. 350gsm kapak kitaba yap\u0131 kazand\u0131r\u0131yor, yani elde iyi duruyor ve kendi a\u011f\u0131rl\u0131\u011f\u0131 alt\u0131nda d\u00fc\u015fmeden veya k\u0131vr\u0131lmadan raflarda gururla oturuyor.<\/span><\/p>\n

Bu a\u011f\u0131rl\u0131k, saten laminasyonla birle\u015fti\u011finde dayan\u0131kl\u0131l\u0131k kat\u0131yor ve bir \u00e7ocu\u011fun e\u015fyalar\u0131n\u0131n ya\u015fad\u0131\u011f\u0131 denemelerden ve tuzaklardan bir dereceye kadar koruyor. Saten ayr\u0131ca dokunuldu\u011funda ho\u015f bir his verir ve mattan daha canl\u0131, ancak parlak kadar ac\u0131mas\u0131z olmayan bir g\u00f6rsel \u00e7ekicili\u011fe sahiptir.<\/span><\/p>\n

\u0130\u00e7sel g\u00fc\u00e7<\/b><\/h2>\n

Yeti\u015fkin pazar\u0131na y\u00f6nelik bir kitap tipik olarak 80, 100 veya 120 g\/m2'lik sayfalara sahip olabilirken, Richard'\u0131n kitab\u0131 y\u0131rt\u0131lmaya ve neme kar\u015f\u0131 biraz daha fazla koruma sa\u011flamak i\u00e7in 170 ipektir.<\/span><\/p>\n

\u0130kinci ve \u00fc\u00e7\u00fcnc\u00fc tur \u0131slak provalar her bir yaz\u0131m hatas\u0131 ve tasar\u0131m p\u00fcr\u00fcz\u00fcn\u00fc ortadan kald\u0131rmak i\u00e7in yeterliydi ve \"This Way, That Way, Off We Go!\" i\u00e7in \"Off we go!\" oldu. \u0130lk bask\u0131dan kendi kopyan\u0131z\u0131 temin etmek istiyorsan\u0131z, \u015funlar\u0131 yapabilirsiniz <\/span>kendi kopyan\u0131z\u0131 sat\u0131n al\u0131n<\/span>.<\/span><\/p>","protected":false},"excerpt":{"rendered":"

We\u2019ve launched Paperback Books for the first time on solopress.com, and the debut publication that went through the press was written by one of our own. Solopress designer Richard Kemp has written a book for children, titled \u201cThis Way, That Way, Off We Go!\u201d Richard had the idea for his book 20 years ago. During […]<\/p>\n","protected":false},"author":134,"featured_media":73471,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[544,551],"tags":[],"class_list":{"0":"post-73453","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-print-inspiration","8":"category-solopress-news"},"acf":[],"yoast_head":"\nThis Way, That Way, Off We Go! 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